Ultimatte 12 HD Mini

Ultimatte 12 HD Mini is an advanced real time keyer designed for creating next generation virtual sets and more with consumer cameras. The HDMI connections are perfect for use with Blackmagic Studio Cameras, Pocket Cinema Cameras and ATEM Mini live production switchers. Plus there's a massive 6 GB frame store for realistic fixed camera virtual sets from pre rendered still frames. Ultimatte 12 HD Mini features broadcast quality algorithms and color science to deliver photorealistic composites.

The all new Ultimatte 12 is more than the world's best keyer, it's an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and color science that deliver true photorealistic composites. You get incredible edge handling, greater color separation, amazing color fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows! Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time.

Automatic SceneAnalysis for One Touch Keying

When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work! The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you! Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest! 

Add Translucent Layersand Broadcast Graphics

 Adding additional translucent objects, such as colored or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That's because you can't subtract a blue or green screen out of a semi-transparent colored object without changing the object's original color. Now, with Ultimatte 12, you get a revolutionary new layer compositing mode that lets you add tinted objects on top of the foreground image. That allows a whole new generation of realistic translucent glass looks in broadcast graphics! This means that when you look through the object, or your talent walks behind it, the tinted colors are accurately preserved, making the shot look completely realistic!